Dimensions. She moved to New York at the apex of Minimalism in the 1960s and, from then, her work has engaged with both the physicality and process of material-based practices while simultaneously confronting femininity in the context of a male-dominated art world.. Lynda Benglis (born October 25, 1941) is an American sculptor and visual artist known especially for her wax paintings and poured latex sculptures. Not on View. See more ideas about sculpture, sculpture art, art. Lynda Benglis American Using a wide range of materials—from latex and foam to metal and wax—Benglis fuses painting and sculpture to create dynamic works that explore the physical and psychological aspects of art. Rejecting vertical orientation—as well as canvas, stretcher, and brush—the "pours" push conventions of easel painting to the point of near collapse. Using brigh… (A photographer for Life magazine once captured Benglis in mid-pour, lunging forward to sling pigmented latex straight from the can.) Lozenge-shaped wax paintings are juxtaposed with Benglis’s latex and polyurethane pours at Cheim & Read on 23 East 67th Street. Blatt's dayglo swirls retain a look of barely arrested motion, their colors gelled into a kind of psychedelic carpet. A pioneer of a form of abstraction in which each work is the result of materials in action—poured latex and foam, cinched metal, dripped wax—Benglis has created sculptures that eschew minimalist reserve in favor of bold colors, sensual lines, and lyrical references to the human body. Lynda Benglis (born October 25, 1941) is an American sculptor and visual artist known especially for her wax paintings and poured latex sculptures. Lynda Benglis' 1986 minimalist sculpture, "Minerva," measures 55 x 38 x 8 ins. … purified pigmented beeswax, dammar resin, and powdered aniline dye on Masonite. We use our own and third-party cookies to personalize your experience and the promotions you see. One floor above, at the Ortuzar viewing room, is a selection of gilded wall sculptures inspired by the caryatids from the … If you have additional information or spotted an error, please send feedback to [email protected]. Locks Gallery will exhibit a dozen major works by the sculptor Lynda Benglis including cast metal floor works like Eat Meat, wall mounted metal works, latex pours, and exemplary wax paintings. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected]. Beginning with her poured latex ‘floor paintings,’ and her layered wax pieces, Benglis pursued pure form, putting her at the forefront of New York Post-Minimalism. Lynda Benglis. overall: 60.01 × 18.57 × 2.86 cm (23 5/8 × 7 5/16 × 1 1/8 in.) She currently lives between New York City, Santa Fe, New Mexico, Kastellorizo, Greece, and Ahmedabad, India. These “sexual mockeries,” as Benglis called them, satirized “the art-star system, and the way artists use themselves, their persona, to sell the work.”4, Introduction by Taylor Walsh, Curatorial Assistant, Department of Drawings and Prints, 2016. We have exhibited many of these pleated metal works as well as her cast bronze and polyurethane fountains from the early 2000s. Lynda Benglis (born October 25, 1941) is an American sculptor and visual artist known especially for her wax paintings and poured latex sculptures. Best known for her iconic poured-latex “floor paintings” and sculptures made of layered wax, Benglis's visceral practice is both performative and sensual. With a paintbrush the same width as the Masonite board, she spread coats of a homemade medium from the center to the rounded edges of the panel. Lynda Benglis moved to New York at the apex of Minimalism in the 1960s. A … Robert Pincus-Witten, “Lynda Benglis: The Frozen Gesture,” Artforum 8:3 (November 1974): 54-59. In Blatt and other similar works from 1969, she extended Jackson Pollock’s famed drip technique into three dimensions, spilling liquid rubber directly onto the floor. Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala. "With the endless environment as the ground for the frozen gesture, she embraced the notion of theatricality and all that it implies—temporality, performance, personality, media exploitation," Robert Pincus-Witten noted in his 1974 article for. Lynda Benglis (b. Lozenge-shaped wax paintings are juxtaposed with Benglis’s latex and polyurethane pours at Cheim & Read on 23 East 67th Street. Lynda Benglis, Hills and Clouds, 2014, cast polyurethane with phosphorescence and stainless steel, 3.1 × 5.5 × 5.5 m. Photograph: Jerry L. Thompson Photograph: Jerry L. Thompson In 2014, to mark the 40th anniversary of the image’s publication, New York magazine asked 25 female artists to comment. The 2009–2011 traveling retrospective Lynda Benglis visited six venues in Europe and the United States, including the Museum of Contemporary Art, Los Angeles and the New Museum, New York. Benglis’ sculptures directly reflect her physical strength, clearly evident in her hand-folded knots and pleated pieces from the 1970s and 80s. and is made of bronze, nickel, and chrome. In 1965, she created her first Wax Paintings, totem-shaped reliefs made out of beeswax. Lynda Benglis was born in Lake Charles, Louisiana, in 1941 and graduated from Newcomb College with a BFA in 1964. Purified pigmented beeswax with damar resin and gesso on masonite, Purified pigmented beeswax and gesso on masonite, Collection of the Metropolitan Museum of Art, New York, Purified pigmented beeswax and damar resin on masonite. Describing Benglis’s first wax reliefs as early as 1968, the New York gallerist and critic Klaus Kertess noted that “skin, pull, sensuousness” ranked among her primary concerns. Please. Lynda Benglis (born October 25, 1941) is an American sculptor and visual artist known especially for her wax paintings and poured latex sculptures. Benglis invented a new format with her celebrated “pours,” which resembled paintings but came off the wall to occupy the space of sculpture. In Embryo II (1967), layers of molten beeswax cling to a Masonite board, hardened into ridges and furrows in a spectrum of pastel hues. These performative qualities of Benglis’ work reflect her visceral practice, one that involves bending, pounding and spraying materials such as metal and polyurethane. By JONATHAN GOODMAN, December 2020 Other works include her experimental ceramic sculptures and three-dimensional works in paper. Her early works include wax paintings and a series of Fallen Paintings, which she created by pouring colored latex onto the floor. Beginning with her poured latex ‘floor paintings,’ and her layered wax pieces, Benglis pursued pure form, putting her at the forefront of New York Post-Minimalism. Lynda Benglis CHALK-WAX III 1968-70 Pigmented purified beeswax, damar resin on masonite 36 x 5 x 1 inches 91.4 x 12.7 x 2.5 centimeters CR# BE.13272. 1941) is an American artist best known for her use of poured sculptural forms made from wax, latex, metal, and foam.